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Bradley Cooper to Direct, Write, and Star in Ocean's 11 Prequel With Margot Robbie

Bradley Cooper is now set to direct, write, and star in Warner Bros.' upcoming Ocean's 11 prequel alongside Margot Robbie, taking over the project after previous directors exited. The film, produced by Robbie's LuckyChap production company, is expected to begin filming before year's end and will be

EntertainmentBy Amanda SterlingMarch 13, 20262 min read

Last updated: April 1, 2026, 1:31 AM

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Bradley Cooper to Direct, Write, and Star in Ocean's 11 Prequel With Margot Robbie

Bradley Cooper has emerged as the studio's top choice to direct, write, and star in a new prequel to the iconic "Ocean's 11" franchise, marking a significant expansion of his involvement in the Warner Bros. project. The acclaimed actor, who had already been in negotiations to appear opposite Australian actress Margot Robbie in the film, will now take creative control behind the camera as well, representing a major commitment to the production. This development comes after the project experienced directorial turnover, with both "Twisters" helmer Lee Isaac Chung and veteran director Jay Roach previously attached to the position before departing.

Bradley Cooper's Expanding Role as Director and Star

Cooper's potential involvement as both director and lead actor would represent a significant creative undertaking for the Hollywood star, who has already demonstrated considerable skill behind the camera in recent years. If he signs on to helm the "Ocean's" prequel, it would mark his fourth feature film as a director, following his critically acclaimed work on "A Star Is Born" in 2018, the biographical drama "Maestro" released in 2023, and the documentary "Is This Thing On?" which premiered last year. His track record in the director's chair has established him as a filmmaker capable of handling both intimate character studies and large-scale productions, making him a logical choice for a major studio franchise entry.

The decision to have Cooper take on multiple roles within the production could help accelerate the project's timeline significantly. According to industry sources, Cooper signing on to direct the movie would position the film to begin principal photography before the conclusion of 2024, keeping the production on schedule after months of uncertainty regarding directorial leadership. This timeline is particularly important given the involvement of LuckyChap Entertainment, the production company founded by Robbie and her husband Tom Ackerley, which has secured a lucrative first-look deal with Warner Bros. following the massive commercial and critical success of "Barbie."

The Ocean's 11 Prequel's Setting and Narrative Direction

The forthcoming prequel is being positioned as a narrative that precedes the events depicted in Steven Soderbergh's 2001 heist film "Ocean's Eleven," which starred an ensemble cast including George Clooney, Matt Damon, Brad Pitt, and Julia Roberts. Rather than following the contemporary storylines of the original film, the prequel will transport audiences back to the 1960s European landscape, a setting that offers rich historical and cultural texture for a sophisticated heist narrative. This temporal and geographical positioning allows filmmakers to explore the origins and early adventures of the criminal enterprise, potentially introducing new characters while establishing the foundations of the elaborate schemes that would later define the franchise.

Carrie Solomon has authored the screenplay draft for this prequel, crafting a story that captures the glamour, intrigue, and danger of mid-twentieth-century European crime and espionage. The 1960s European setting provides an ideal backdrop for a heist narrative, evoking the aesthetic of sophisticated international crime thrillers while offering visual and thematic possibilities distinct from the contemporary Las Vegas-centric storylines of previous "Ocean's" films. This temporal shift allows the production to explore different criminal methodologies, technological constraints, and geopolitical contexts that defined international crime during the Cold War era.

The Evolution of the Ocean's Franchise Across Decades

From the Original Rat Pack Era to Modern Reimaginings

The "Ocean's" franchise boasts a storied history spanning more than six decades, beginning with the original 1960 film that starred legendary Rat Pack members including Frank Sinatra, Sammy Davis Jr., Joey Bishop, Peter Lawford, and Dean Martin. That original production established the template for the modern heist film genre, combining star power, sophisticated humor, and intricate criminal schemes into an entertaining package that captivated audiences. When director Steven Soderbergh reimagined the concept for contemporary audiences in 2001, he retained the franchise's core elements while updating the aesthetic, technology, and sensibility to reflect modern filmmaking and audience expectations.

Soderbergh's 2001 "Ocean's Eleven" spawned two sequels that continued the adventures of Clooney's character Danny Ocean and his crew: "Ocean's Twelve" released in 2004 and "Ocean's Thirteen" arriving in 2007. These films expanded the franchise's scope, introducing new locations, characters, and elaborate heist scenarios while maintaining the stylish tone and ensemble cast dynamics that defined the original. In 2018, the franchise underwent another transformation with "Ocean's Eight," a gender-swapped reboot featuring Sandra Bullock, Cate Blanchett, Anne Hathaway, and Rihanna in lead roles, demonstrating the franchise's ability to evolve while maintaining its essential appeal.

Concurrent Ocean's Projects in Development

Notably, the franchise is currently experiencing a renaissance of creative activity, with multiple projects in various stages of development simultaneously. George Clooney himself has been developing a new "Ocean's" film that reunites him with original co-stars Roberts, Damon, Pitt, and Don Cheadle, exploring a different narrative angle than the prequel. In an interview with Variety last year, Clooney articulated the thematic foundation for this aging criminals project, explaining the conceptual appeal of his vision for the franchise's continued evolution.

There was something about the idea that we're too old to do what we used to do, but we're still smart enough to know how to get away with something, that just appeals to me. They've lost a step, and they need to find a way to work around their limitations.

This quote encapsulates a thematic sophistication that moves beyond simple action-adventure spectacle, instead exploring questions of aging, relevance, and adaptation—themes that resonate with both the characters and the audience members who have followed the franchise for decades. The simultaneous development of both Clooney's aging criminals project and Cooper's 1960s prequel demonstrates Warner Bros.' confidence in the franchise's continued commercial and creative viability, with multiple filmmakers exploring different temporal and thematic territories within the "Ocean's" universe.

LuckyChap Entertainment's Expanding Warner Bros. Partnership

The "Ocean's 11" prequel represents one of several ambitious projects that Margot Robbie's production company LuckyChap Entertainment is developing under its first-look deal with Warner Bros., an arrangement that was significantly strengthened following the extraordinary success of "Barbie." That 2023 film became a cultural phenomenon and commercial juggernaut, grossing approximately $1.4 billion worldwide while simultaneously earning nominations for major industry awards including the Academy Awards. The success of "Barbie" fundamentally altered the power dynamics between LuckyChap and Warner Bros., providing Robbie's company with substantial leverage and resources to develop ambitious projects across multiple genres.

Beyond the "Ocean's" prequel, LuckyChap has several other projects in active development at Warner Bros. Last month, the studio released Emerald Fennell's ambitious adaptation of Emily Brontë's literary classic "Wuthering Heights," bringing a fresh directorial perspective to the nineteenth-century gothic romance. Additionally, LuckyChap is developing a contemporary reimagining of the 1958 B-movie cult classic "Attack of the Fifty Foot Woman," with visionary director Tim Burton attached to helm the project. This diverse slate of projects demonstrates the production company's commitment to developing varied content across different genres, budgets, and creative sensibilities, leveraging the goodwill and resources generated by "Barbie's" unprecedented success.

Industry Context and Production Timeline Implications

The decision to bring Bradley Cooper on board as director, writer, and star represents a significant strategic move for Warner Bros., addressing the project's directorial instability while simultaneously securing a major star's commitment to the production. The previous departures of Lee Isaac Chung and Jay Roach had created uncertainty regarding the project's viability and timeline, potentially jeopardizing the substantial investment that the studio and LuckyChap had already committed to development. By securing Cooper's multifaceted involvement, the studio has consolidated creative authority and star power within a single individual, potentially streamlining decision-making processes and accelerating production timelines.

The target of commencing principal photography before the end of 2024 is particularly ambitious given the need to finalize the screenplay, assemble the creative team, secure additional cast members, and complete pre-production logistics. However, Cooper's experience as both director and actor—evidenced by his work on "A Star Is Born," where he similarly juggled both roles—suggests he possesses the experience and professional relationships necessary to manage such a complex production schedule. The involvement of an A-list director-star in a major studio franchise entry also carries significant marketing advantages, as Cooper's name and reputation can serve as a major selling point for international audiences and domestic film enthusiasts alike.

  • Bradley Cooper is now set to direct, write, and star in the Ocean's 11 prequel alongside Margot Robbie, marking his fourth feature film as director
  • The film is expected to begin principal photography before the end of 2024, keeping the project on accelerated timeline after previous directorial departures
  • The prequel is set in 1960s Europe and will precede the events of the 2001 Steven Soderbergh film, with Carrie Solomon authoring the screenplay
  • LuckyChap Entertainment's first-look deal with Warner Bros. was strengthened by Barbie's $1.4 billion global box office success and Oscar nominations
  • Multiple Ocean's projects are in development simultaneously, including George Clooney's aging criminals concept reuniting original cast members

Frequently Asked Questions

What is the Ocean's 11 prequel about and when is it set?
The prequel takes place in 1960s Europe and precedes the events of the 2001 Steven Soderbergh film starring George Clooney and Matt Damon. The screenplay was written by Carrie Solomon and explores the origins of the criminal enterprise before the contemporary Las Vegas-based heist storylines of previous films.
Is Bradley Cooper directing or starring in the Ocean's 11 prequel?
Bradley Cooper will both direct and star in the film alongside Margot Robbie. This will be his fourth feature film as director, following "A Star Is Born," "Maestro," and "Is This Thing On?" He will also be involved in writing the screenplay.
How did LuckyChap Entertainment secure the first-look deal with Warner Bros.?
Margot Robbie's production company LuckyChap Entertainment inked the first-look deal with Warner Bros. following the massive commercial and critical success of "Barbie," which grossed $1.4 billion worldwide and received Oscar nominations. The deal allows LuckyChap to develop multiple projects across various genres at the studio.
AS
Amanda Sterling

Culture Reporter

Amanda Sterling reports on music, pop culture, celebrity news, and the arts. A graduate of NYU's arts journalism program, she covers the cultural moments that define the zeitgeist. Her reviews and profiles appear regularly in the Journal American's arts and culture section.

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