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‘War Machine’ Debuts With 39.3 Million Views in Three Days on Netflix

“War Machine,” a new sci-fi action film starring Alan Ritchson, was the most-watched title on Netflix during the week of March 2-8, debuting with 39.3 million views in three days. Season 4 of “Bridgerton” was the second-most-watched title overall and, for the second week in a row, the most-watched o

EntertainmentBy Amanda SterlingMarch 10, 20262 min read

Last updated: April 2, 2026, 1:07 AM

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‘War Machine’ Debuts With 39.3 Million Views in Three Days on Netflix

“War Machine,” a new sci-fi action film starring Alan Ritchson, was the most-watched title on Netflix during the week of March 2-8, debuting with 39.3 million views in three days.

Season 4 of “Bridgerton” was the second-most-watched title overall and, for the second week in a row, the most-watched on the TV chart, hitting 13.1 million views in the first full week of availability for Part 2. The season debuted at No. 1 with with four episodes in January, then returned to No. 1 with 28 million views last week with the release of its final four episodes. Season 1 of “Bridgerton” also continued its resurgence, taking the No. 8 position with 2.2 million views.

Docuseries “The Dinosaurs” came behind “Bridgerton,” debuting at No. 2 with a strong 10.4 million views in three days. With 5.2 million views, “The Night Agent” Season 3 took third place in its third week on the chart and was followed by the debut of “Vladimir,” which reached 4.2 million views in four days.

With 3 million views or less, the rest of the English-language TV chart featured Season 8 of “Formula 1: Drive to Survive,” the March 2 edition of “Raw: 2026,” “Gabby’s Dollhouse” Season 13, “The Mentalist” and “Love Is Blind: Ohio.”

See the Netflix Top 10 for March 2 below, beginning with English-language movies and TV and followed by non-English-language movies and TV.

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Amanda Sterling

Culture Reporter

Amanda Sterling reports on music, pop culture, celebrity news, and the arts. A graduate of NYU's arts journalism program, she covers the cultural moments that define the zeitgeist. Her reviews and profiles appear regularly in the Journal American's arts and culture section.

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